简介：吉姆·卡明斯自编自导并参与演出的惊悚黑色喜剧[雪谷之狼](The Wolf of Snow Hollow，暂译)发布第一批剧照，吉姆扮演正在戒酒的混混警官，他坚信小镇来了连环杀手，但小镇居民却认为那是一个狼人。瑞琪·琳德赫姆扮演他理智的搭档，去年十月过世的罗伯特·福斯特则扮演他的父亲、也是小镇警长，这是福斯特最后一次大银幕演出。
简介：Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s wa...
简介：After the mayor of an idyllic island village discovers a child with mysterious powers awash on their shores, the once peaceful community devolves into civil war, torn over the belief that the child is the next saviour.
简介：Follows a man whose pregnant wife gets murdered and despite the police investigation, the truth is unknown. He tries to find what happened, which confronts him with situations of suspense and terror.
简介：Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author TimothyFarrell from Worcester, MAWild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)-from imdb